Casting call advice : The importance of range part 2
Casting call advice : The importance of range part 2
Step 2: go over the line flat, fluid, and small. flat: NO inflections whatsoever. fluid: just because i'm saying flat, make the words flow, don't say them staccato-like - like a robot, and small: quiet. your lips barely have to be moving. dont work your mouth too hard, or you'll be tripping up all over the place. Do it at a speed where you make NO mistakes. If you do, go back to the top of the piece of copy, SLOW DOWN, and get through it without mistakes. when you've gone through it twice flawlessly, you can pick up your speed. do these steps until that piece of copy is flowin' outta your mouth like the disclaimers you hear at the end of car and bank commercials. When it's flawless, take that line, (or 60 seconds of copy, or sides to a part on a tv show, or monologue for a play - get where i'm going with this??? USE MY METHOD OF FLAT, FLUID AND SMALL FOR EVERYTHING!!!!)
Til next week for part # 3 on The importance of range.
Dor
Step 2: go over the line flat, fluid, and small. flat: NO inflections whatsoever. fluid: just because i'm saying flat, make the words flow, don't say them staccato-like - like a robot, and small: quiet. your lips barely have to be moving. dont work your mouth too hard, or you'll be tripping up all over the place. Do it at a speed where you make NO mistakes. If you do, go back to the top of the piece of copy, SLOW DOWN, and get through it without mistakes. when you've gone through it twice flawlessly, you can pick up your speed. do these steps until that piece of copy is flowin' outta your mouth like the disclaimers you hear at the end of car and bank commercials. When it's flawless, take that line, (or 60 seconds of copy, or sides to a part on a tv show, or monologue for a play - get where i'm going with this??? USE MY METHOD OF FLAT, FLUID AND SMALL FOR EVERYTHING!!!!)
Til next week for part # 3 on The importance of range.
Dor







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